The shipwreck of mankind


The Shipwreck of Mankind (Salar de Uyuni, Bolivia, 2009): Sitting at an altitude of over 3,600 meters, this hyper-arid desert—the remnants of prehistoric lakes trapped within the Andean plateau—serves as the physical backdrop for the project. The expedition navigated a blinding, high-altitude landscape where the boundaries between earth and sky dissolve into a seamless white horizon. It is within this profound isolation that the artistic intervention unfolded, channeling acts of intensity that enable the local Aymara community to elevate their voice in a critical act of resilience and resistance.


El naufragio de los hombres – 8vo Dia #1176, Inkjet Print, 150 cm x 220 cm
Salar de Uyuni, Bolivia, 200
8



Working Process & Community Alliance

The operational foundation of the project began in the surrounding village of Colchani, rooted in the ancestral trade of cutting salt blocks used for local architecture. This demanding craft is carried out as a collective effort, organized by one of the community’s elders alongside younger generations who sustain the traditional practice. Establishing contact through this communal labor served as the gateway to the territory; it was this initial encounter with the elder that opened the path and connected the expedition with his extended family, the Quispe Flores Mamani.

Over three weeks of intense coexistence, this large, interconnected family became the core collaborative force behind the project. The working process moved from shared daily rhythms to the execution of precise acts of intensity within the salt flat. By standing together upon the hand-cut salt blocks amid the reflective, flooded expanse, these collaborative actions transformed a traditional survival craft into a powerful, living monument written directly onto the landscape.

El naufragio de los hombres – 5to Dia #100, Inkjet Print, 150 cm x 250 cm
Salar de Uyuni, Bolivia, 2008


El naufragio de los hombres (The shipwreck of mankind)
Salar de Uyuni, Bolivia, 2008


El naufragio de los hombres – 4to Dia #104, Inkjet Print, 150 cm x 220 cm
Salar de Uyuni, Bolivia, 200
8

Sacred Farewell Ceremony

Deep in the mountains surrounding the Uyuni salt flat, the Quispe Flores family and their Aymara community welcomed the team into their territory for a sacred farewell ceremony. This ritual marked the conclusion of three intense weeks of collaborative work shared with the family on the salt flat during the project.

The ancestral ceremony culminated in the traditional sacrifice of a llama. Through the careful reading of the animal’s entrails, the elders interpreted the signs of the journey, delivering a powerful prophecy: it foretold that we would eventually return. This intimate encounter stands as a profound testament to the interconnectedness between the community, their ancient beliefs, and the landscape, anchoring the research of The Shipwreck of Mankind within the living memory of the Andes.

Sacred Farewell Ceremony
Salar de Uyuni, Bolivia, 2008

El naufragio de los hombres – 7mo Dia #07, Inkjet Print, 150 cm x 220 cm
Salar de Uyuni, Bolivia, 200
8

In its final form as a multichannel video installation, «The Shipwreck of Mankind» stands as a haunting metaphor for human vulnerability and cosmic drifting. The figures standing motionless on isolated blocks of salt, surrounded by water that mirrors the infinite sky, evoke the image of a collective shipwreck cast away in time. By weaving the physical rigor of their ancestral craft with the profound weight of their spiritual prophecy, the installation confronts the viewer with the raw fragility of existence. It transforms the blinding white horizon of Uyuni into a solemn stage where the modern world’s acceleration is halted by the eternal, quiet resistance of the Aymara culture.